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EXHIBITIONS
2026

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Sickly Sweet 
Sasha Terway + Krissya Iraheta

24.07.2026-22.08.2026

Reception July 24th 2026  7 PM to 9 PM

Sasha Terway 

Through drawing, I depict the relationship between predator and prey and question its reflection in the scope of my psyche. I am curious about our tendency to seek out conflict in places where it doesn’t exist. As seen in Yellowstone’s predator crisis, eliminating a predator allows what was previously considered prey to rise to a threatening position and reverse their previously conceived roles. I am curious about how we may exhibit this fluctuation as people, people who have suffered conflict inevitably continuing a cycle of conflict out of habit, or nature. Through psychoanalytical methods of investigating this theory, my work utilizes

animism and phenomenology to explore this conflict through the stage of dreamscapes.

 

Through contrasting rendering styles and processes, I define the nuances of balance between predator and prey through method, style, species, and power. I am exploring in recent subject matter the contrast between cute elements and meticulously mark made elements and how they may prompt the notion of power dynamics that transcend predator and prey roles.

 

Krissya Iraheta

My practice plays with themes of sexuality, trauma and the Latin American woman’s experience through Pop Surrealism. An allegorical and humorously juxtaposed look at generational, religious and physical trauma, I aim to blur the boundary between high and low art. By using surrealist strategies and cultural connotations, these works can be intricate and soft but also primal and visceral. Culminating in intimate moments where the viewer is confronted with childhood innocence and the carnage of the adult soul.

 

There is pleasure in experiencing guileless imagery paired with mature themes to create a cloying body of work that transcends shame and reality. There is an undeniable ridiculousness brought out when reveling in images of gore, sexual nature, childhood, melancholy and sarcasm within the context of Pop Surrealism. This celebration of the binaries is highlighted in my work as I toe the line between disturbing and endearing to create a grotesquely arousing experience

 

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Copies: A print show and fundraiser 
Jonathan Creese + Crawlspace

10.07.2026-13.07.2026

Reception July 10th 2026  7 PM to 9 PM

This show is many things: an exhibition, an event, a fundraiser… a quintessential example of what printed material can accomplish when made the focal point of an evening. On display are the results of collaborations in traditional printmaking between artists working out of Crawlspace studio and local printmaker Jonathan Creese. Artists were challenged to bring their practices into the realm of print, resulting in explorations in monoprint, activated sculpture, crafted objects, and other more traditional printmaking methodologies.

 

All works on display are for sale with funds going towards studio and gallery programming. Come enjoy this three day show and support the gallery with your presence and purchases.

Copies features works by Morgan Black, Sage Deems, Matthew Gil, Marina Hardie, May Jones, Gay Cowboy, Nicole Miller, Lailey Newton, and Jessica Rimes.

 

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if it ain’t broke, don’t fix it

Lauren Jacobson

05.06.2026-04.07.2026


Reception June 5th 7 PM-9 PM

Artist Talk July 4th 4 PM - 5 PM 

if it ain’t broke, don’t fix it follows the impact and proliferation of local urban street furniture such as traffic barriers, cones, blockades, signs, and grate covers. Through a process of collection and fragmentation, these sculptural and printed works aim to disorient infrastructural elements of incessant city repair. Collectively, the work explores what it means for public space to be “broken” by speculating on who has access to space, who performs labour, and notions of use, failure, and directionality. 
 

 

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#0DFF00

​Crawlspace Collective 

29.05.2026-30.05.2026


Reception May 29th 7 PM-9 PM

This exhibition is a celebration of Crawlspace’s second year anniversary! For the past two years we’ve been programming, presenting work, and creating within our own studios. 

#0DFF00 features Morgan Black, Sage Deems, Matthew Gil, Marina Hardie, May Jones, May Kineyetums, Diego Middleton, Kaitlyn Miller, Nicole Miller, Lailey Newton, Jessica Rimes, Yaiza Lopez Garcia San Roman, and Zoë Wallace. 

Crawlspace would also like to use this celebration as an opportunity to thank our community. We have been the recipient of generous support from family, friends, fellow artists, local neighbors, and more.  

 

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Push 2026 

Pentimento Collective

15.05.2026-23.05.2026


Reception May 15th 7 PM-9 PM

Co-Curated by Jade Iwata and Alisa Serebrianaia 

 

Aidan Dupuis (they/them), Aleanna Mau (she/her), Alicia Appiah (she/her), Anya Marcia (she/they), Billie Copithorne (she/her), Brent Paguibitan (he/him), Demitra Selimos (she/her), Ella Pedersen, Esmé Dumonceaux (any), Jayme Pansacala (she/her), Jazmin MacDowall (she/her), Joshua Seguin (they/them), Kaycie Caralyna, Lexi Proulx (she/her), Liam Slaney, Michael Panagakos (he/him), Mik Gohring (she/her), Míša Š (they/he), Nadia Caluza Hussein (she/her), Nataša Ondrejková (she/her), Nikki Orana Rvachew (she/her), Paige White (she/her), Toula Parthenis (she/her), Victoria Maria Zaba (she/her), Zuha Ahsan (she/her)

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CLANDESTINA

Libbie Farrell - Mishel Torres - Nadia Zamora Hernandez - Solana Morante

Curated by Jamie Leer

10.04.2026-09.05.2026


Reception April 10th 7 PM-9 PM

CLANDESTINA explores alternative means of expression in times of repression. While the term “clandestine” is often associated with secrecy, the covert, and illegal, it takes on new significance within an artistic practice. This exhibition highlights the influence of underground press, zines, collage, and painting as vital tools for cultural communication. Across histories artists have developed subtle and inventive strategies to share knowledge, preserve memory, and express dissent. Obscured messages in collage, text, and painting allow these works to operate both visibly and discreetly, all while bringing together the communities in which they represent.

 

The selected works share stories of gender, heritage, and cultural identity. Together, they form CLANDESTINA: a community of solidarity and resilience.​​​

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This Is Not The Opera 

20.03.2026-22.03.2026


Reception March 20th 6 PM-9 PM

Noor K - Nelson Penner - Tima Pishbin - Riley Warren - Alicia-Cecilia Zaldivar 

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Exposing the Darkroom YYC - 2026 Exposure Photography Festival Partner Exhibition

06.02.2026-01.03.2026


Reception February 13th 7 PM-9 PM

Students from SAIT’s Darkroom come together for a second year participating in the Exposure Photography Festival, displaying their talent, commitment to photographic excellence and their dedication to black & white analog photography. Working in the darkroom is where the magic happens for analog photographers.

Photographers:

Dave Albers, Larry Benke, Julieanne Berting, April Bishop, Curtis Collin, Griffin Cornwall,Kathryn Coulter, Christine de Vries, Jeffery Ellis, Ian Gregory, Keith Guinn, Gail Hinchliffe,Ryan HK, Linda Josue, Suzanne Lacoste, Petra Lange, Dennis Lee, Tina Lucas, Brenda Mansfield,Teghan Mendes, Sam Meybodi, Raffaele Mosca, Emma Palm, Anita Patterson, Cheryl Powers,Ward Sanderson, May Shi, Jane Situ, Zoe Smith, George Webber, Frances Williams, Anna Young,Oliver Yu and William Zhon.

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Chelsey Rice
Curated by Yaiza Lopez Garcia San Roman

2026 Exposure Photography Festival Partner Exhibition

09.01.2026-01.02.2026


Reception January 9th 7 PM-9 PM

Liminal Sunday explores themes of childhood nostalgia, memory, and undertones of a North American religious upbringing through liminal early 2000s digicam photography.

Chelsey Rice
I am an artist who has been practicing photography for over 18 years. As I enter a stage of life where I’m often thinking of the “good old days,” I set aside the professional camera that has shot many weddings and families to shoot imperfect, nostalgic photos with a digicam. The defects of the point and shoot perfectly reflect the blurry photographs in my head of the church classrooms I taught in as a devout Mormon, my in-laws’ apartment frozen in the 90s, and other scenes from my life. The low pixel count matches the fading memories as I’ve grown older. Currently my photographic practice chases the feeling of life before reality and adulthood took over.

Yaiza Lopez Garcia San Roman
is a chronically online artist and curator who loves the vernacular, daily life, and seeing the Jesus in the toast - finding artistic intent in the ordinary. Her practice revolves around memory and personal history, working with stock photos, writing, film, aluminum, wood, ham, cheese, bread (etc).

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ADDRESS

1336 9 Ave SE (Basement)

Calgary AB

T2G 0T3

Canada 

Crawlspace is located on the ancestral land of the Siksikaitsitapi – Blackfoot Confederacy which includes the Siksika, Kainai, Piikani Nations and the shared territories of the Tsuut’ina Nation as well as the Iyarhe Nakoda-Stoney which includes Bearspaw, Chiniki, Good Stoney Nations and also the home of the Métis Nation of District 5 and 6. The City of Calgary has long been called Mohkínstsis by the Siksikaitsitapi, Guts’ists’i by the Tsuut’ina, and Wîchîspa by the Nakoda. 


Mohkínstsis is the home of Crawlspace, and we recognize it has always been first shaped by the Siksikaitsitapi, Tsuut’ina, and Nakoda-Stoney Nations.

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